"Only Connect"
"But the Imperialist is not what he thinks or seems. He is a destroyer. He prepares the way for cosmopolitanism, and though his ambitions may be fulfilled, the earth that he inherits will be grey."
"But the Imperialist is not what he thinks or seems. He is a destroyer. He prepares the way for cosmopolitanism, and though his ambitions may be fulfilled, the earth that he inherits will be grey."
Howards End is the name of a grand old house. The house is really as much a character in the novel as any of the people. There are three distinct groups of people in the novel, all with their ties to each other. The Wilcoxes are affluent, very class conscious and the owners of the house. The Schlegels are half-German (remember WWI is right on the door steps) and middle class. The middle class Schlegels and the Wilcoxes have frequent social contact and their is romantic attraction between different family members and there is a marriage. There is also a working class family in the mix. Things get complicated and I will let you discover the plot yourself if you choose to read it one day.
I tried to formulate in my mind a kind of comparison of his two great novels.
Everyone says Howards End (Forster said it also) was his finest work. To me Howards End is also the greater work of art but it lacks the sheer cosmic firepower of parts of A Passage to India. It almost feels as if two different novelists wrote these works. A Passage to India deals with large scale social, religious and metaphysical issues. Some of the prose is near over powering. To use a comparison that Forster might have used about War and Peace, A Passage to India is his Fifth Symphony. It just kind of overpowered me. Howards End is not as muscular a work, in my opinion, as Passage to India but it is a subtler domestic retelling of the cosmic issues of A Passage to India. Howards End is like a series of interrelated Mozart concertos-you have to listen intently to feel the power.
Everyone says Howards End (Forster said it also) was his finest work. To me Howards End is also the greater work of art but it lacks the sheer cosmic firepower of parts of A Passage to India. It almost feels as if two different novelists wrote these works. A Passage to India deals with large scale social, religious and metaphysical issues. Some of the prose is near over powering. To use a comparison that Forster might have used about War and Peace, A Passage to India is his Fifth Symphony. It just kind of overpowered me. Howards End is not as muscular a work, in my opinion, as Passage to India but it is a subtler domestic retelling of the cosmic issues of A Passage to India. Howards End is like a series of interrelated Mozart concertos-you have to listen intently to feel the power.
If A Passage to India is Forster's War and Peace then Howards End is his Sentimental Education.
I would really suggest one read all six novels in sequence now that I see what a great writer he is but for most I would say first read Passage to India then Howards End then decide where to proceed on with Forster from there based on how you like him.
Here is a selection from Howards End that will give you a feel for Forster's prose style.
"She was parting from these Wilcoxes for the second time. Paul and his mother, ripple and great wave, had flowed into her life and ebbed out of it for ever. The ripple had left no traces behind:
the wave had strewn at her feet fragments torn from the unknown. A curious seeker, she stood for a while at the verge of the sea that tells so little, but tells a little, and watched the outgoing of this last tremendous tide. Her friend had vanished in agony, but not, she believed, in degradation. Her withdrawal had hinted at other things besides disease and pain. Some leave our life with tears, others with an insane frigidity; Mrs. Wilcox had taken the middle course, which only rarer natures can pursue. She had kept proportion. She had told a little of her grim secret to her friends, but not too much; she had shut up her heart--almost, but not entirely.
It is thus, if there is any rule, that we ought to die--neither as victim nor as fanatic, but as the seafarer who can greet with an equal eye the deep that he is entering, and the shore that he must leave."
Please share your experiences with Forster with us.
I am reading his A Room with a View now as well as P. N. Furbank's biography of Forster. Forster is an Iconic GLBT author.
Mel u
"She was parting from these Wilcoxes for the second time. Paul and his mother, ripple and great wave, had flowed into her life and ebbed out of it for ever. The ripple had left no traces behind:
the wave had strewn at her feet fragments torn from the unknown. A curious seeker, she stood for a while at the verge of the sea that tells so little, but tells a little, and watched the outgoing of this last tremendous tide. Her friend had vanished in agony, but not, she believed, in degradation. Her withdrawal had hinted at other things besides disease and pain. Some leave our life with tears, others with an insane frigidity; Mrs. Wilcox had taken the middle course, which only rarer natures can pursue. She had kept proportion. She had told a little of her grim secret to her friends, but not too much; she had shut up her heart--almost, but not entirely.
It is thus, if there is any rule, that we ought to die--neither as victim nor as fanatic, but as the seafarer who can greet with an equal eye the deep that he is entering, and the shore that he must leave."
Please share your experiences with Forster with us.
I am reading his A Room with a View now as well as P. N. Furbank's biography of Forster. Forster is an Iconic GLBT author.
Mel u
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